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| This collection examines new comic book cultures, graphic writing and bande dessinée texts as they relate to postcolonialism in contemporary Anglophone and Francophone settings. The individual chapters are framed within a larger enquiry that considers definitive aspects of the postcolonial condition in twenty-first century (con)texts.0Authors demonstrate that the field of comic book production and circulation in various regional histories introduce new postcolonial vocabularies. These scripts employ visual grammars, image-texts and iconic performances that reconstitute conventional "image-functions" in established social texts and political systems, and thus re-envision competing narratives of resistance, rights, and freedoms. In this sense, postcolonial comic cultures are of particular significance in the context of a newly global and politically recomposed landscape.0This volume introduces a timely intervention within current comic book area studies that remains firmly situated within the US-European and Japanese manga paradigms and their reading publics. It will be of great interest to a wide variety of disciplines including postcolonial studies, comics area studies, cultural studies and gender studies |
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