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Titel
Yinka Shonibare MBE / edited by Rachel Kent
HerausgeberKent, Rachel In der Gemeinsamen Normdatei der DNB nachschlagen In Wikipedia suchen nach Rachel Kent
Illustrator(en)Shonibare, Yinka In der Gemeinsamen Normdatei der DNB nachschlagen In Wikipedia suchen nach Yinka Shonibare
KörperschaftMuseum of Contemporary Art <Sydney> In der Gemeinsamen Normdatei der DNB nachschlagen In Wikipedia suchen nach Museum of Contemporary Art
ErschienenMunich [u.a.] : Prestel, 2014
Ausgabe
Revised and updated edition
Umfang231 S. : überw. Ill.
Anmerkung
"This edition is a revised and expanded version of a catalogue published in 2008 on the occasion of the exhibition Yinka Shonibare MBE, organized and toured by the Museum of Contemporary Art, Sydney (now the Museum of Contemporary Art Australia)." - Includes bibliographical references
Ausstellungskatalog
SchlagwörterInstallationskünstlerin In Wikipedia suchen nach Installationskünstlerin / Shonibare, Yinka In Wikipedia suchen nach Yinka Shonibare
ISBN978-3-7913-4872-8
Links
Download Yinka Shonibare MBE [0,08 mb]
Nachweis
Verfügbarkeit In meiner Bibliothek
Archiv METS (OAI-PMH)
Zusammenfassung

"Newly revised and updated, this authoritative book presents the exciting, ironic, and often subversive work of Yinka Shonibare MBE, one of the stars of the international art scene. Born in London and raised in Nigeria, Shonibare employs a diverse range of media--from sculpture, painting, and installation to photography and film--to probe matters of race, class, cultural identity, and history. He is perhaps best known for his signature use of a colorful "African" batik fabric that actually originated in Indonesia and was introduced to Africa in the19th century by British and Dutch colonizers. Incorporated into Victorian costumes, covering sculptures of extraterrestrials, or stretched like canvas for paintings, these vibrant textiles cleverly challenge issues of origin and authenticity. This book--the most comprehensive resource available on Shonibare--presents the best work of the London-based artist's career, including his high-profile project for the Fourth Plinth in London's Trafalgar Square and other innovative public sculptures. Whether lampooning Victorian propriety or commenting on what it means to be an "alien," Shonibare makes art that challenges straightforward interpretations"--