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vls/2603nrwcece.visuallibrary.netvdTreatise on musical objectsan essay across disciplinesTraité des objets musicauxSchaeffer, PierreautNorth, ChristinetrlÜbersetzerDack, JohntrlÜbersetzertextbookOakland, CaliforniaUniversity of California Press20172017monographicengxli, 569 SeitenIllustrationen, DiagrammeBook one. Making music. The instrumental prerequisite ; Playing an instrument ; Capturing sounds ; Acousmatics -- Book two. Hearing. "What can be heard" ; The four listening modes ; Scientific prejudice ; The hearing intention -- Book three. Correlations between the physical signal and the musical object. Ambiguities in musical acoustics ; Correlation between spectra and pitches ; Thresholds and transients ; Temporal anamorphoses I: timbres and dynamics ; Temporal anamorphoses II: timbre and instrument ; Time and duration -- Book four. Objects and structures. Reduction to the object ; Perceptual structures ; Comparative structures: music and language ; The conventional musical system: musicality and sonority ; Natural sound structures: musicianly listening ; The reduced listening system: musical dualism ; Musical research ; Morphology of sound objects ; The laboratory ; Typology of musical objects (I): classification criteria ; Typology (II): balanced and redundant objects ; Typology (III): eccentric sounds ; Working at our instrument -- Book six. Theory of musical objects. Musical experience ; Generalising music theory ; Theory of homogeneous sounds: criterion of mass ; Theory of fixed masses: dynamic criterion ; Theory of sustainment ; Theory of variations ; Analysis of the musical object as it generally appears ; Implementation ; The meaning of music -- Penultimate chapter : in search of music itself -- Post-script"The Treatise on musical objects by Pierre Schaeffer is regarded as his most important work on music and its relationship with technology. Schaeffer refers to his earlier research in musique concrète and expands this to suggest a methodology of working with sounds resulting from the recording process. Drawing on acoustics, physics, and physiology, but also philosophy and the relationship between subject and object, Schaeffer's book summarizes his theoretical and practical work in music composition. North and Dack present an important book in the history of ideas in Europe that will resonate far beyond electroacoustic music."--Provided by publisherPierre Schaeffer ; translated by Christine North and John DackOriginally published as "Traité des objects musicaux" 1966Includes bibliographical references and indexAus dem Französischen übersetztMusic / Philosophy and aestheticsMusikphilosophieSound StudiesElektronische Musik|ML3800.S252GBV873431944978-0-520-29429-5978-0-520-29430-1HT019656467California studies in 20th-century music20HT013575184Online-Ausgabe, eBook978-0-520-96746-538/43000430001430/Bg/Schaeffer0055/5800042000LP 94470 S2946101musg100.s2942018041820190604144492401rda https://ce.visuallibrary.net//domainresource/static/graphics/connectors/viewerLogo.gif http://193.30.112.129:83/F/?func=find-c&ccl_term=ICS%3D144492401+X0001 https://ce.visuallibrary.net/id/972274 https://ce.visuallibrary.net/i3f/v20/972274/manifest https://ce.visuallibrary.net/proto_ftsearch/972274