<OAI-PMH xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:mets="http://www.loc.gov/METS/" xmlns:mods="http://www.loc.gov/mods/v3" xmlns:vl="http://visuallibrary.net/vl" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/ http://www.openarchives.org/OAI/2.0/OAI-PMH.xsd"><responseDate>2026-07-02T21:43:47Z</responseDate><request verb="GetRecord" metadataPrefix="mets" identifier="1396879">https://ce.visuallibrary.net/ulbd/oai/</request><GetRecord><record><header><identifier>oai:ce.visuallibrary.net/ulbd:1396879</identifier><datestamp>2026-06-12T15:00:03Z</datestamp><setSpec>ulbdce</setSpec><setSpec>book</setSpec></header><metadata><mets:mets xmlns:xlink="http://www.w3.org/1999/xlink" xsi:schemaLocation="http://www.loc.gov/METS/ http://www.loc.gov/standards/mets/version112/mets.xsd" OBJID="7">
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Bringing together scholars from a range of disciplines--including film studies, gender studies, art history, eco-criticism, and aging studies--this volume explores Haneda's depiction of critical issues in Japanese society, culture, history, and nature. It showcases how her cinema provides a personal and reflective view on Japan's drastic transformations of the twentieth century, while her career also bore witness to changes taking place in the national cinema industry. It thus situates Haneda's oeuvre within the history of Japanese non-fiction film whilst offering new perspectives on questions of authorship and representation. Collectively, the chapters in this book make a case for Haneda to be recognised as a key figure in Japan's postwar documentary scene. 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