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<mets:metsHdr CREATEDATE="2026-07-18T02:14:58"><mets:agent ROLE="OTHER" TYPE="OTHER" OTHERTYPE="SOFTWARE"><mets:name>vls/2603</mets:name></mets:agent><mets:agent ROLE="OTHER" TYPE="OTHER" OTHERTYPE="INSTANCE"><mets:name>nrwce</mets:name></mets:agent><mets:agent ROLE="OTHER" TYPE="OTHER" OTHERTYPE="REPOSITORY"><mets:name>ce.visuallibrary.net</mets:name></mets:agent><mets:agent ROLE="OTHER" TYPE="OTHER" OTHERTYPE="BUILDER"><mets:name>vd</mets:name></mets:agent></mets:metsHdr><mets:dmdSec ID="md1386771"><mets:mdWrap MIMETYPE="text/xml" MDTYPE="MODS"><mets:xmlData><mods:mods version="3.8" xsi:schemaLocation="http://www.loc.gov/mods/v3 http://www.loc.gov/standards/mods/v3/mods-3-8.xsd"><mods:titleInfo><mods:title>Turning away</mods:title><mods:subTitle>the poetics of an ancient gesture</mods:subTitle></mods:titleInfo><mods:name type="personal" usage="primary" authority="gnd" authorityURI="http://d-nb.info/gnd/" valueURI="http://d-nb.info/gnd/120038136X"><mods:displayForm>Saltzman, Benjamin A.</mods:displayForm><mods:namePart type="date">1985-</mods:namePart><mods:role><mods:roleTerm type="text">Verfasser</mods:roleTerm></mods:role><mods:role><mods:roleTerm authority="marcrelator" type="code">aut</mods:roleTerm></mods:role></mods:name><mods:typeOfResource>text</mods:typeOfResource><mods:genre authority="rdacontent">Text</mods:genre><mods:genre authority="marcgt">book</mods:genre><mods:originInfo script="Latn"><mods:place><mods:placeTerm type="code" authority="marccountry">xxu</mods:placeTerm></mods:place><mods:place><mods:placeTerm type="code" authority="iso3166">XD-US</mods:placeTerm></mods:place><mods:place><mods:placeTerm type="text">Chicago</mods:placeTerm></mods:place><mods:place><mods:placeTerm type="text">London</mods:placeTerm></mods:place><mods:publisher>The University of Chicago Press</mods:publisher><mods:dateIssued keyDate="yes">2026</mods:dateIssued><mods:issuance>single unit</mods:issuance></mods:originInfo><mods:language><mods:languageTerm authority="iso639-2b" type="code">eng</mods:languageTerm></mods:language><mods:physicalDescription><mods:form authority="marcform">print</mods:form><mods:extent>317 Seiten : Illustrationen</mods:extent><mods:form type="media" authority="rdamedia">ohne Hilfsmittel zu benutzen</mods:form><mods:form type="carrier" authority="rdacarrier">Band</mods:form></mods:physicalDescription><mods:abstract type="Summary">"Few human gestures are as universal, recognizable, yet ambiguous as the averted gaze--the face turned away or covered in horror, fear, or shame. The gesture arises from within but it is also a performance, partaking at once of the interior and the social. Benjamin A. Saltzman discusses gestures of aversion in ancient and medieval literature and art to unpack their meanings and illuminate the history of affective aesthetics. The book ranges widely, from important "scenes of aversion" from Leontius's ambivalence in Plato's Republic (ca. 375 BCE) to the grief surrounding Christ's Crucifixion in early modern drawings and frescos (ca. 500-1600), and to some contemporary reimaginings, including paintings by Marc Chagall and photographs by Rotimi Fani-Kayode and Susan Meiselas, with illuminating discussions of Eakins, Goya, and van Gogh along the way. It will be of interest to a wide range of humanities scholars interested in the connection between literature and visual art"-- Provided by publisher</mods:abstract><mods:tableOfContents>Parodos -- Ambivalence -- Sensation -- Darkness -- Retroversion.</mods:tableOfContents><mods:note type="statement of responsibility" altRepGroup="00" script="Latn">Benjamin A. 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