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vls/2603nrwcece.visuallibrary.netvdWeaving modernismpostwar tapestry between Paris and New YorkPostwar tapestry between Paris and New YorkWells, K. L. H.auttextbookNew HavenLondonYale University Press20192019monographic© 2019engxi, 268 Seiten ; 26 cmIllustrationenWith a revelatory analysis of how the postwar French tapestry revival provided a medium for modern art and a model for its discourse and marketing on both sides of the Atlantic, Weaving Modernism presents a fascinating reexamination of modernism's relationship to decoration, reproducibility, and politics. Tapestry offered artists a historically grounded medium for distributing and marketing their work, helped expand the visibility and significance of abstraction at midcentury, and facilitated modernism's entry into the dominant paradigm of the postwar period. K. L. H. Wells situates tapestry as part of a broader "marketplace modernism" in which artists participated, conjuring a lived experience of visual culture in corporate lobbies, churches, and even airplanes, as well as in galleries and private homes. This extensively researched study features previously unpublished illustrations and little-known works by such major artists as Helen Frankenthaler, Henri Matisse, Robert Motherwell, Pablo Picasso, and Frank StellaK.L.H. WellsIncludes bibliographical references (pages 249-256) and indexTapestry / History / 20th centuryModernism (Art)Painting, Modern / 20th centuryBildteppichGeschichte 1945-1980|NK3007.8521.86KXP1663287260978-0-300-23259-20-300-23259-4HT0202787126102kuni540.w4542019111120191128147501601rda https://ce.visuallibrary.net//domainresource/static/graphics/connectors/viewerLogo.gif http://193.30.112.129:83/F/?func=find-c&ccl_term=ICS%3D147501601+X0001 https://ce.visuallibrary.net/id/1014013 https://ce.visuallibrary.net/i3f/v20/1014013/manifest https://ce.visuallibrary.net/proto_ftsearch/1014013