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<mets:metsHdr CREATEDATE="2026-09-12T00:40:30"><mets:agent ROLE="OTHER" TYPE="OTHER" OTHERTYPE="SOFTWARE"><mets:name>vls/2603</mets:name></mets:agent><mets:agent ROLE="OTHER" TYPE="OTHER" OTHERTYPE="INSTANCE"><mets:name>nrwce</mets:name></mets:agent><mets:agent ROLE="OTHER" TYPE="OTHER" OTHERTYPE="REPOSITORY"><mets:name>ce.visuallibrary.net</mets:name></mets:agent><mets:agent ROLE="OTHER" TYPE="OTHER" OTHERTYPE="BUILDER"><mets:name>vd</mets:name></mets:agent></mets:metsHdr><mets:dmdSec ID="md473810"><mets:mdWrap MIMETYPE="text/xml" MDTYPE="MODS"><mets:xmlData><mods:mods version="3.8" xsi:schemaLocation="http://www.loc.gov/mods/v3 http://www.loc.gov/standards/mods/v3/mods-3-8.xsd"><mods:titleInfo><mods:title>Felix Mendelssohn Bartholdys vierstimmige Chorlieder a cappella und das Chorwesen in der ersten Hälfte des 19. Jahrhunderts</mods:title></mods:titleInfo><mods:titleInfo type="alternative"><mods:title>Felix Mendelssohn Bartholdys four-part choral songs a cappella and the genre of choral singing in the first half of the 19th century</mods:title></mods:titleInfo><mods:name type="personal" authority="gnd" authorityURI="http://d-nb.info/gnd/" valueURI="http://d-nb.info/gnd/183949390"><mods:namePart>Hucht, Michael</mods:namePart><mods:role><mods:roleTerm type="code" authority="marcrelator">aut</mods:roleTerm></mods:role></mods:name><mods:name type="personal" authority="gnd" authorityURI="http://d-nb.info/gnd/" valueURI="http://d-nb.info/gnd/1029843848"><mods:namePart>Keil, Werner</mods:namePart><mods:role><mods:roleTerm type="code" authority="marcrelator">cns</mods:roleTerm><mods:roleTerm type="text">Gutachter</mods:roleTerm></mods:role></mods:name><mods:name type="personal" authority="gnd" authorityURI="http://d-nb.info/gnd/" valueURI="http://d-nb.info/gnd/123037387"><mods:namePart>Brusniak, Friedhelm</mods:namePart><mods:role><mods:roleTerm type="code" authority="marcrelator">cns</mods:roleTerm><mods:roleTerm type="text">Gutachter</mods:roleTerm></mods:role></mods:name><mods:typeOfResource>text</mods:typeOfResource><mods:genre authority="marcgt">book</mods:genre><mods:originInfo><mods:dateIssued encoding="w3cdtf" keyDate="yes">2014</mods:dateIssued><mods:issuance>monographic</mods:issuance></mods:originInfo><mods:language><mods:languageTerm authority="iso639-2b" type="code">ger</mods:languageTerm></mods:language><mods:language><mods:languageTerm authority="iso639-2b" type="code">eng</mods:languageTerm></mods:language><mods:physicalDescription><mods:extent>VIII, 342, CCVI S. : Notenbeisp.</mods:extent></mods:physicalDescription><mods:abstract type="content" lang="ger">Felix Mendelssohn Bartholdy gilt als wegweisender Repräsentant weltlicher Chorlieder a cappella im 19. Jahrhundert. Durch seine Werke sowie durch seine Anstellungen und Beziehungen nahm er Einfluss auf das Chorwesen. Da sein Wirken für die Chormusik nur im Rahmen der Verhältnisse seiner Zeit betrachtet werden kann, werden im Zuge dieser Arbeit nicht nur die musikalisch relevanten Inhalte analysiert und erörtert, sondern überdies die gesellschaftlichen Rahmenbedingungen berücksichtigt. Neben der Darstellung der Entwicklung des Chorwesens wird der Fokus auf ausgewählte Stationen seines Schaffens gelegt, darunter Berlin, Düsseldorf, Frankfurt und Leipzig. Um die Frage nach dem besonderen Engagement Mendelssohn Bartholdys für das Chorlied a cappella zu verdeutlichen, werden sein Verständnis von Chormusik und die Kompositionstechnik seiner Chorlieder anhand ausgewählter Beispiele untersucht.</mods:abstract><mods:abstract type="content" lang="eng">Felix Mendelssohn Bartholdy is considered a pioneer representative of 19th century a cappella choral songs. His works as well as his position and relations enabled him to influence the genre of choral singing. Since his impact on choral music can only be fully understood within the context of his time, this thesis does not only analyze musical aspects but also considers his social environment. In addition to the depiction of the development of choral singing, selected stages of his work are brought into focus, among them being Berlin, Düsseldorf, Frankfurt and Leipzig. Aiming at explaining Mendelssohn Bartholdys affinity for a cappella choral song, the thesis analyzes selected examples of his work, while at the same time considering his concept of choral music and his compositional techniques.</mods:abstract><mods:note>Tag der Verteidigung: 12.12.2014</mods:note><mods:note type="thesis statement">Paderborn, Univ., Diss., 2014</mods:note><mods:classification authority="ddcger">782</mods:classification><mods:identifier type="eki">HBZHT018775534</mods:identifier><mods:identifier type="ncidn">HT018775534</mods:identifier><mods:relatedItem type="otherFormat"><mods:titleInfo><mods:title>Hucht, Michael: Felix Mendelssohn Bartholdys vierstimmige Chorlieder a cappella und das Chorwesen in der ersten Hälfte des 19. 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