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<mets:metsHdr CREATEDATE="2026-09-21T23:48:00"><mets:agent ROLE="OTHER" TYPE="OTHER" OTHERTYPE="SOFTWARE"><mets:name>vls/2603</mets:name></mets:agent><mets:agent ROLE="OTHER" TYPE="OTHER" OTHERTYPE="INSTANCE"><mets:name>nrwce</mets:name></mets:agent><mets:agent ROLE="OTHER" TYPE="OTHER" OTHERTYPE="REPOSITORY"><mets:name>ce.visuallibrary.net</mets:name></mets:agent><mets:agent ROLE="OTHER" TYPE="OTHER" OTHERTYPE="BUILDER"><mets:name>vd</mets:name></mets:agent></mets:metsHdr><mets:dmdSec ID="md1138544"><mets:mdWrap MIMETYPE="text/xml" MDTYPE="MODS"><mets:xmlData><mods:mods version="3.8" xsi:schemaLocation="http://www.loc.gov/mods/v3 http://www.loc.gov/standards/mods/v3/mods-3-8.xsd"><mods:titleInfo><mods:title>Liveness in modern music</mods:title><mods:subTitle>musicians, technology, and the perception of performance</mods:subTitle></mods:titleInfo><mods:name type="personal" authority="gnd" authorityURI="http://d-nb.info/gnd/" valueURI="http://d-nb.info/gnd/1042491356"><mods:displayForm>Sanden, Paul</mods:displayForm><mods:role><mods:roleTerm type="code" authority="marcrelator">aut</mods:roleTerm></mods:role></mods:name><mods:typeOfResource>text</mods:typeOfResource><mods:genre authority="marcgt">book</mods:genre><mods:originInfo eventType="publication"><mods:place><mods:placeTerm type="text">New York</mods:placeTerm></mods:place><mods:place><mods:placeTerm type="text">London</mods:placeTerm></mods:place><mods:publisher>Routledge, Taylor &amp; Francis Group</mods:publisher><mods:dateIssued>[2017]</mods:dateIssued><mods:dateIssued keyDate="yes" encoding="w3cdtf">2017</mods:dateIssued><mods:issuance>monographic</mods:issuance></mods:originInfo><mods:language><mods:languageTerm authority="iso639-2b" type="code">eng</mods:languageTerm></mods:language><mods:physicalDescription><mods:extent>xiv, 206 Seiten</mods:extent><mods:note>Illustrationen, Notenbeispiele</mods:note></mods:physicalDescription><mods:abstract type="content">This study investigates the idea and practice of liveness in modern music. Understanding what makes music live in an ever-changing musical and technological terrain is one of the more complex and timely challenges facing scholars of current music, where liveness is typically understood to represent performance and to stand in opposition to recording, amplification, and other methods of electronically mediating music. The book argues that liveness itself emerges from dynamic tensions inherent in mediated musical contexts--tensions between music as an acoustic human utterance, and musical sound as something produced or altered by machines. Sanden analyzes liveness in mediatized music (music for which electronic mediation plays an intrinsically defining role), exploring the role this concept plays in defining musical meaning. In discussions of music from both popular and classical traditions, Sanden demonstrates how liveness is performed by acts of human expression in productive tension with the electronic machines involved in making this music, whether on stage or on recording. Liveness is not a fixed ontological state that exists in the absence of electronic mediation, but rather a dynamically performed assertion of human presence within a technological network of communication. This book provides new insights into how the ideas of performance and liveness continue to permeate the perception and reception of even highly mediatized music within a society so deeply invested, on every level, with the use of electronic technologies</mods:abstract><mods:note type="statement of responsibility">Paul Sanden</mods:note><mods:note>First issued in paperback 2017. - Includes bibliographical references (p. [189]-202) and index</mods:note><mods:subject><mods:topic>MusicPerformanceHistory</mods:topic><mods:topic>Musical perception</mods:topic><mods:topic>MusicPsychological aspects</mods:topic></mods:subject><mods:subject><mods:topic authority="gnd" authorityURI="http://d-nb.info/gnd/" valueURI="http://d-nb.info/gnd/4040802-4">Musik</mods:topic><mods:topic authority="gnd" authorityURI="http://d-nb.info/gnd/" valueURI="http://d-nb.info/gnd/4064317-7">Wahrnehmung</mods:topic><mods:topic authority="gnd" authorityURI="http://d-nb.info/gnd/" valueURI="http://d-nb.info/gnd/4170800-3">Musikalische Aufführungspraxis</mods:topic></mods:subject><mods:classification authority="lcc">|ML457</mods:classification><mods:classification authority="bk">24.65</mods:classification><mods:identifier type="eki">GBV1011565749</mods:identifier><mods:identifier type="isbn" displayLabel="ISBN 13">978-1-138-10797-7</mods:identifier><mods:identifier type="isbn" displayLabel="ISBN 13">978-0-415-89540-8</mods:identifier><mods:identifier type="ncidn">HT020867473</mods:identifier><mods:relatedItem type="series"><mods:titleInfo><mods:title>Routledge research in music</mods:title></mods:titleInfo><mods:part order="5"><mods:detail type="volume"><mods:number>5</mods:number></mods:detail></mods:part><mods:recordInfo><mods:recordIdentifier source="ubpbce">HT016974933</mods:recordIdentifier></mods:recordInfo></mods:relatedItem><mods:location><mods:physicalLocation authority="local library code">466</mods:physicalLocation><mods:shelfLocator>KHB1711</mods:shelfLocator></mods:location><mods:extension><vlz:info xmlns:vlz="http://visuallibrary.net/vlz/1.0/" version="2"/></mods:extension><mods:recordInfo><mods:recordCreationDate encoding="marc">20210309</mods:recordCreationDate><mods:recordChangeDate encoding="marc">20221006</mods:recordChangeDate><mods:recordIdentifier source="ubpbce">2501988</mods:recordIdentifier><mods:descriptionStandard>rda</mods:descriptionStandard></mods:recordInfo></mods:mods></mets:xmlData></mets:mdWrap></mets:dmdSec><mets:amdSec ID="amd1138544"><mets:rightsMD ID="rights1138544">
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