<OAI-PMH xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:mets="http://www.loc.gov/METS/" xmlns:mods="http://www.loc.gov/mods/v3" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/ http://www.openarchives.org/OAI/2.0/OAI-PMH.xsd"><responseDate>2026-07-03T01:19:41Z</responseDate><request verb="GetRecord" metadataPrefix="mets" identifier="1002748">https://ce.visuallibrary.net/ubpb/oai/</request><GetRecord><record><header><identifier>oai:ce.visuallibrary.net/ubpb:1002748</identifier><datestamp>2019-11-06T16:00:01Z</datestamp><setSpec>ubpbce</setSpec><setSpec>book</setSpec></header><metadata><mets:mets xmlns:xlink="http://www.w3.org/1999/xlink" xsi:schemaLocation="http://www.loc.gov/METS/ http://www.loc.gov/standards/mets/version112/mets.xsd" OBJID="4">
<mets:metsHdr CREATEDATE="2026-07-03T03:19:42"><mets:agent ROLE="OTHER" TYPE="OTHER" OTHERTYPE="SOFTWARE"><mets:name>vls/2603</mets:name></mets:agent><mets:agent ROLE="OTHER" TYPE="OTHER" OTHERTYPE="INSTANCE"><mets:name>nrwce</mets:name></mets:agent><mets:agent ROLE="OTHER" TYPE="OTHER" OTHERTYPE="REPOSITORY"><mets:name>ce.visuallibrary.net</mets:name></mets:agent><mets:agent ROLE="OTHER" TYPE="OTHER" OTHERTYPE="BUILDER"><mets:name>vd</mets:name></mets:agent></mets:metsHdr><mets:dmdSec ID="md1002748"><mets:mdWrap MIMETYPE="text/xml" MDTYPE="MODS"><mets:xmlData><mods:mods version="3.8" xsi:schemaLocation="http://www.loc.gov/mods/v3 http://www.loc.gov/standards/mods/v3/mods-3-8.xsd"><mods:titleInfo><mods:title>Political dramaturgies and theatre spectatorship</mods:title><mods:subTitle>provocations for change</mods:subTitle></mods:titleInfo><mods:name type="personal" authority="gnd" authorityURI="http://d-nb.info/gnd/" valueURI="http://d-nb.info/gnd/1075225434"><mods:namePart>Tomlin, Liz</mods:namePart><mods:role><mods:roleTerm type="code" authority="marcrelator">aut</mods:roleTerm></mods:role></mods:name><mods:typeOfResource>text</mods:typeOfResource><mods:genre authority="marcgt">book</mods:genre><mods:originInfo eventType="publication"><mods:place><mods:placeTerm type="text">London</mods:placeTerm></mods:place><mods:place><mods:placeTerm type="text">New York, NY</mods:placeTerm></mods:place><mods:publisher>Methuen drama</mods:publisher><mods:dateIssued>2019</mods:dateIssued><mods:dateIssued keyDate="yes" encoding="w3cdtf">2019</mods:dateIssued><mods:issuance>monographic</mods:issuance></mods:originInfo><mods:language><mods:languageTerm authority="iso639-2b" type="code">eng</mods:languageTerm></mods:language><mods:physicalDescription><mods:extent>205 Seiten</mods:extent></mods:physicalDescription><mods:abstract type="content">Real and imagined spectators -- The autonomous spectator -- Precarious spectators -- Political logics and contemporary dramaturgies -- Questions of irony and interpellation -- Questions of autonomy and affect -- Questions of empathy and agonism -- Questions of antagonism and agency.</mods:abstract><mods:abstract type="content">"Has political theatre lost its potency and ability to effect change? Are audiences less inclined to be moved and less able to imagine alternative political realities in our individualized age? What strategies should theatre makers employ to respond to our present climate in ways that are both affective and effective? In this important study Liz Tomlin argues that the capacities of the contemporary and future spectator to be 'effected' or 'affected' by politically-motivated theatre needs to be urgently re-evaluated in light of the current political and philosophical climate. Drawing on a wide range of philosophical, psychological and sociological research Tomlin proposes that politically-motivated practice needs to take into account the spectator's decreasing capacity for empathy and ability to imagine the future, and an understanding of how individualism has replaced collectivism as the seemingly rational human response to danger to the self. She offers a re-evaluation of politically-motivated models of contemporary theatre such as Brechtian ideology critique, radical tragedy, documentary, verbatim and relational theatre practices in order to rigorously interrogate if and how theatre can best contribute to the emerging resistance to global neoliberal capitalism. Work analyzed ranges from dramatic texts including George Brant's Grounded, David Greig's The Events and Caryl Churchill's Advice to Iraqi Women and Far Away to contemporary performance by Stan's Cafe, Ontroerend Goed, Coney and Kaleider; to new performance writing by Chris Thorpe and Andy Smith"--</mods:abstract><mods:note type="statement of responsibility">Liz Tomlin</mods:note><mods:note>Includes bibliographical references and index</mods:note><mods:subject><mods:topic>Theater / Political aspects</mods:topic><mods:topic>Political plays</mods:topic><mods:topic>Theater and society</mods:topic></mods:subject><mods:classification authority="lcc">|PN2049</mods:classification><mods:identifier type="eki">KXP1664198776</mods:identifier><mods:identifier type="isbn" displayLabel="ISBN 13">978-1-4742-9560-4</mods:identifier><mods:identifier type="ncidn">HT020232357</mods:identifier><mods:relatedItem type="series"><mods:titleInfo><mods:title>Methuen drama engage</mods:title></mods:titleInfo></mods:relatedItem><mods:relatedItem type="otherFormat" displayLabel="Erscheint auch als"><mods:note>Online-Ausgabe, epdf</mods:note><mods:identifier type="isbn">9781474295628</mods:identifier></mods:relatedItem><mods:relatedItem type="otherFormat" displayLabel="Erscheint auch als"><mods:note>Online-Ausgabe, eBook</mods:note><mods:identifier type="isbn">9781474295611</mods:identifier></mods:relatedItem><mods:location><mods:physicalLocation authority="local library code">466</mods:physicalLocation><mods:holdingSimple><mods:copyInformation><mods:subLocation>11</mods:subLocation><mods:shelfLocator>DUOQ2294</mods:shelfLocator></mods:copyInformation></mods:holdingSimple></mods:location><mods:extension><vlz:info xmlns:vlz="http://visuallibrary.net/vlz/1.0/" version="2"/></mods:extension><mods:recordInfo><mods:recordCreationDate encoding="marc">20191004</mods:recordCreationDate><mods:recordChangeDate encoding="marc">20191031</mods:recordChangeDate><mods:recordIdentifier source="ubpbce">DUOQ2294</mods:recordIdentifier><mods:descriptionStandard>rda</mods:descriptionStandard></mods:recordInfo></mods:mods></mets:xmlData></mets:mdWrap></mets:dmdSec><mets:amdSec ID="amd1002748"><mets:rightsMD ID="rights1002748">
<mets:mdWrap MIMETYPE="text/xml" MDTYPE="OTHER" OTHERMDTYPE="DVRIGHTS">
<mets:xmlData>
<dv:rights xmlns:dv="http://dfg-viewer.de/">
<dv:ownerLogo>https://ce.visuallibrary.net//domainresource/static/graphics/connectors/viewerLogo.gif</dv:ownerLogo></dv:rights>
</mets:xmlData>
</mets:mdWrap>
</mets:rightsMD><mets:digiprovMD ID="digiprov1002748">
<mets:mdWrap MIMETYPE="text/xml" MDTYPE="OTHER" OTHERMDTYPE="DVLINKS">
<mets:xmlData>
<dv:links xmlns:dv="http://dfg-viewer.de/">
<dv:reference>http://193.30.112.129:83/F/?func=find-c&amp;ccl_term=ICS%3DDUOQ2294</dv:reference>
<dv:presentation>https://ce.visuallibrary.net/id/1002748</dv:presentation>
<dv:iiif>https://ce.visuallibrary.net/i3f/v20/1002748/manifest</dv:iiif>
<dv:sru>https://ce.visuallibrary.net/proto_ftsearch/1002748</dv:sru></dv:links>
</mets:xmlData>
</mets:mdWrap>
</mets:digiprovMD></mets:amdSec><mets:fileSec><mets:fileGrp USE="DOWNLOAD"><mets:file MIMETYPE="application/pdf" CHECKSUM="a410b83e55e31e9efdb5dad88a76f2ff87675651" CREATED="2019-11-04T14:01:35.465200Z" CHECKSUMTYPE="SHA-1" SIZE="99465" ID="PDF_1002748"><mets:FLocat xlink:href="https://ce.visuallibrary.net/download/pdf/1002748" LOCTYPE="URL"/></mets:file></mets:fileGrp><mets:fileGrp USE="TEASER"><mets:file MIMETYPE="image/png" CREATED="2019-11-04T14:00:09.930000Z" ID="IMG_TEASER_1002803"><mets:FLocat xlink:href="https://ce.visuallibrary.net/download/webcache/304/1002803" LOCTYPE="URL"/></mets:file></mets:fileGrp><mets:fileGrp USE="DEFAULT"><mets:file MIMETYPE="image/png" ID="IMG_DEFAULT_1002803"><mets:FLocat xlink:href="https://ce.visuallibrary.net/download/webcache/1000/1002803" LOCTYPE="URL"/></mets:file></mets:fileGrp><mets:fileGrp USE="THUMBS"><mets:file MIMETYPE="image/png" ID="IMG_THUMBS_1002803"><mets:FLocat xlink:href="https://ce.visuallibrary.net/download/webcache/128/1002803" LOCTYPE="URL"/></mets:file></mets:fileGrp><mets:fileGrp USE="MIN"><mets:file MIMETYPE="image/png" ID="IMG_MIN_1002803"><mets:FLocat xlink:href="https://ce.visuallibrary.net/download/webcache/504/1002803" LOCTYPE="URL"/></mets:file></mets:fileGrp><mets:fileGrp USE="MAX"><mets:file MIMETYPE="image/png" ID="IMG_MAX_1002803"><mets:FLocat xlink:href="https://ce.visuallibrary.net/download/webcache/0/1002803" LOCTYPE="URL"/></mets:file></mets:fileGrp><mets:fileGrp USE="FULLTEXT"><mets:file MIMETYPE="text/xml" CREATED="2019-11-04T14:00:50.819500Z" ID="ALTO1002803"><mets:FLocat xlink:href="https://ce.visuallibrary.net/download/fulltext/alto3/1002803" LOCTYPE="URL"/></mets:file></mets:fileGrp></mets:fileSec><mets:structMap TYPE="PHYSICAL"><mets:div TYPE="physSequence" ID="physroot"><mets:div ID="phys1002803" TYPE="page" LABEL="[Seite 1]" ORDER="1"><mets:fptr FILEID="IMG_DEFAULT_1002803"/><mets:fptr FILEID="IMG_THUMBS_1002803"/><mets:fptr FILEID="IMG_MIN_1002803"/><mets:fptr FILEID="IMG_MAX_1002803"/><mets:fptr FILEID="ALTO1002803"/></mets:div></mets:div></mets:structMap><mets:structMap TYPE="LOGICAL"><mets:div ID="log1002748" DMDID="md1002748" ADMID="amd1002748" TYPE="monograph" LABEL="Political dramaturgies and theatre spectatorship" ORDER="1"><mets:fptr FILEID="PDF_1002748"/><mets:fptr FILEID="IMG_TEASER_1002803"/><mets:div ID="log1002802" TYPE="contents" ORDER="1"/></mets:div></mets:structMap><mets:structLink><mets:smLink xlink:from="log1002748" xlink:to="physroot"/><mets:smLink xlink:from="log1002802" xlink:to="phys1002803"/></mets:structLink></mets:mets></metadata></record></GetRecord></OAI-PMH>