Titelaufnahme

Overview -- Opera and film -- Visual representation of film sound as analytical tool -- Film music from the perspective of cognitive science -- Composing for film -- Ontological, formal, and critical theories of film music and sound -- Drawing a new narrative for cartoon music -- Genre theory and the film musical -- The tunes they are a-changing -- The compilation soundtrack from the 1960s to the present -- The origins of musical style in video games, 1977-1983 -- Classical music, virtual bodies, narrative film -- Gender, sexuality, and the soundtrack -- Psychoanalysis, apparatus theory, and subjectivity -- Case studies--introduction -- Case study 1, The order of sanctity -- Case study 2, Strange recognitions and endless loops -- Transformational theory and the analysis of film music -- Listening in film -- Auteurship and agency in television music -- When the music surges -- Audio-visual palimpsests -- Performance practices and music in early cinema outside hollywood -- Performing