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Titel
Women artists in Paris, 1850-1900 / Laurence Madeline ; with Bridget Alsdorf, Richard Kendall, Jane R. Becker, Vibeke Waallann Hansen, Joëlle Bolloch
BeteiligteMadeline, Laurence In der Gemeinsamen Normdatei der DNB nachschlagen In Wikipedia suchen nach Laurence Madeline ; Alsdorf, Bridget In der Gemeinsamen Normdatei der DNB nachschlagen In Wikipedia suchen nach Bridget Alsdorf ; Kendall, Richard In der Gemeinsamen Normdatei der DNB nachschlagen In Wikipedia suchen nach Richard Kendall ; Becker, Jane R. In der Gemeinsamen Normdatei der DNB nachschlagen In Wikipedia suchen nach Jane R. Becker ; Hansen, Vibeke Waallann In der Gemeinsamen Normdatei der DNB nachschlagen In Wikipedia suchen nach Vibeke Waallann Hansen ; Bolloch, Joëlle In der Gemeinsamen Normdatei der DNB nachschlagen In Wikipedia suchen nach Joëlle Bolloch
KörperschaftDenver Art Museum In der Gemeinsamen Normdatei der DNB nachschlagen In Wikipedia suchen nach Denver Art Museum ; J. B. Speed Art Museum <Louisville, Ky.> In der Gemeinsamen Normdatei der DNB nachschlagen In Wikipedia suchen nach J. B. Speed Art Museum ; Sterling and Francine Clark Art Institute In der Gemeinsamen Normdatei der DNB nachschlagen In Wikipedia suchen nach Sterling and Francine Clark Art Institute
ErschienenNew York : American Federation of Arts ; New Haven : Yale University Press, 2017
Umfangix, 277 Seiten
Anmerkung
Published on the occasion of the traveling exhibition of the same name organized by the American Federation of Arts and held at Denver Art Museum, Denver, CO, October 22, 2017-January 14, 2018; Speed Art Museum, Louisville, KY, February 17-May 13, 2018; and Clark Art Institute, Williamstown, MA, June 9-September 3, 2018
SchlagwörterParis In Wikipedia suchen nach Paris / Künstlerin In Wikipedia suchen nach Künstlerin / Geschichte 1850-1900 In Wikipedia suchen nach Geschichte 1850-1900
ISBN978-0-300-22393-4
ISBN978-1-885444-45-5
Links
Download Women artists in Paris 1850-1900 [1,08 mb]
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Zusammenfassung

Paris was the epicenter of art during the latter half of the nineteenth century, luring artists from around the world with its academies, museums, salons, and galleries. Despite the city's cosmopolitanism and its cultural stature, Parisian society remained strikingly conservative, particularly with respect to gender. Nonetheless, many women painters chose to work and study in Paris at this time, overcoming immense obstacles to access the city's resources. 'Women Artists in Paris, 1850-1900' showcases the remarkable artistic production of women during this period of great cultural change, revealing the breadth and strength of their creative achievements. Guest Curator Laurence Madeline (Chief Curator at Musées d'art et d'histoire, Geneva) has selected close to seventy compelling paintings by women of varied nationalities, ranging from well-known artists such as Berthe Morisot, Mary Cassatt, and Rosa Bonheur, to lesser-known figures such as Kitty Kielland, Louise Breslau, and Anna Ancher