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Titel
Critical fashion practice : from Westwood to Van Beirendonck / Adam Geczy and Vicki Karaminas
VerfasserGeczy, Adam In der Gemeinsamen Normdatei der DNB nachschlagen In Wikipedia suchen nach Adam Geczy ; Karaminas, Vicki In der Gemeinsamen Normdatei der DNB nachschlagen In Wikipedia suchen nach Vicki Karaminas
ErschienenLondon : Bloomsbury Academic, 2017
UmfangXV, 200 Seiten, 16 ungezählte Seiten Bildtafeln : Illustrationen
Anmerkung
Includes bibliographical references and index
SchlagwörterMode In Wikipedia suchen nach Mode / Modeschöpfer In Wikipedia suchen nach Modeschöpfer / Subkultur In Wikipedia suchen nach Subkultur / Ästhetik In Wikipedia suchen nach Ästhetik
ISBN978-1-4742-6553-9
ISBN978-1-4742-6552-2
Links
Download Critical fashion practice [0,31 mb]
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Verfügbarkeit In meiner Bibliothek
Archiv METS (OAI-PMH)
Zusammenfassung

"There is a new form of design practice within the contemporary fashion industry which is active in complex forms of social commentary and critique. While fashion in the modernist era has shown signs of criticism and subversion, these were either in the form of subcultures or perversions, such as punk or BDSM styling. Today, however, these genres have been absorbed into the fashion industry itself, meaning that "critical fashion" is now far from limited to the subcultures from which it came. This book explores this new space for criticism within the popular fashion sphere to demonstrate how designers are disrupting conventions, challenging beliefs and stirring change from within the system itself. Critical Fashion Practice considers a range of contemporary designers across the globe, from the US to Japan, whose conceptual designs embody this critical language, including case studies such as Rei Kawakubo's deconstructive silhouettes for Comme des Garçons and Walter Van Beirendonck's sadomasochistic menswear collections, amongst other key players such as Miuccia Prada, Vivienne Westwood and Viktor & Rolf. Arguing that the rise of critical fashion coincides with a noticeable decline in the criticality of art, Geczy and Karaminas go beyond slotting fashion into previously established art theories. Conceiving a new cultural role for fashion that affords insight into identity, class, race, sexuality and gender, this book shows how fashion can not only reflect and comment on, but can also be a part of social change"...