Voces intimae : electro-erotic speech in Nicholson Baker's Vox -- Voice doubles : auditory identities in Michel Tournier's "Tristan vox" -- The cases of radio silence : recorded reticence and revisory declension in Heinrich Böll's "Doktor Murkes gesammeltes Schweigen" -- Single, long-playing, and compilation : the formats of audio and amorousness in Nick Hornby's High fidelity -- The ghost in the tape machine : posthumous voice and residual presence in Don Delillo's The body artist -- E-pistolarity and e-loquence : Sylvia Brownrigg's The metaphysical touch as a novel of letters and voices in the age of e-mail communication
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