Titelaufnahme

Cover -- Half Title -- Series Information -- Title Page -- Copyright Page -- Dedication -- Table of Contents -- List of Figures -- List of Contributors -- Acknowledgements -- 1 Irish Women's Writing and Culture Under the Shadow of Austerity -- Cycles of Boom and Bust: Austerity as Violence -- Social Change -- Irish Women's Writing and Austerity -- Woman as Nation -- Pregnancy and Motherhood -- Waking the Feminists: A Women's Protest -- Chapter Outlines -- Austerity, Feminism, and Conflict -- Arts and Austerity -- Race and Austerity -- Spaces of Austerity -- Notes -- Works Cited -- Section 1 Austerity, Feminism, and Conflict -- 2 Two Opposing Narratives?: The Field Day and LIP Pamphlets -- Disparate Fields of Power: The Field Day (1983-1988) and LIP Pamphlets (1989-1992) -- Overcoming Austerity By Opening Up the Irish Cultural Sphere -- Upholding and Dismantling Austerity: The Habitus of the Field Day and LIP Pamphlets -- "Compositional Codes": The LIP and Field Day Pamphlets -- The Aftermath of the Field Day Anthology I-III -- Notes -- Works Cited -- 3 Austerity, Conflict, and Second-Wave Feminism in the North of Ireland -- Introduction -- Forming Charabanc Theatre Company -- Illuminating Shared Herstories -- Second-Wave Feminism On the Island of Ireland -- Feminist Politics and the Female Gaze -- Consciousness-Raising Through Performance -- Artistic and Commercial Success -- Conclusion -- Notes -- Works Cited -- 4 #WakeUpIrishPoetry: Austerity and Activism in Contemporary Irish Poetry - A Personal Reflection -- Introduction -- Interlude: Reflections From the Background(s), Or the Hall of Mirrors, Or How We See Ourselves Disappear -- Is This Where I Start? -- Is This Where I Start? -- Is This Where I Start? -- Is This Where I Start? -- Is This Where I Start? -- Is This Where I Start? -- Is This Where I Start? -- Is This Where I Start?.