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Titel
Cognitive ecopoetics : a new theory of lyric / Sharon Lattig
VerfasserLattig, Sharon In der Gemeinsamen Normdatei der DNB nachschlagen In Wikipedia suchen nach Sharon Lattig
ErschienenLondon ; New York ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic, 2021
Umfang235 Seiten ; 25 cm
Anmerkung
Includes bibliographical references and index
SerieEnvironmental cultures seroes
SchlagwörterLyric poetry / Philosophy In Wikipedia suchen nach Lyric poetry / Philosophy / Lyric poetry / History and criticism In Wikipedia suchen nach Lyric poetry / History and criticism / Poetry / Psychological aspects In Wikipedia suchen nach Poetry / Psychological aspects / Poetics In Wikipedia suchen nach Poetics / Ecocriticism In Wikipedia suchen nach Ecocriticism / Cognition in literature In Wikipedia suchen nach Cognition in literature / Cognition in literature In Wikipedia suchen nach Cognition in literature / Ecocriticism In Wikipedia suchen nach Ecocriticism / Lyric poetry In Wikipedia suchen nach Lyric poetry / Poetics In Wikipedia suchen nach Poetics / Poetry ; Psychological aspects In Wikipedia suchen nach Poetry ; Psychological aspects / Criticism, interpretation, etc In Wikipedia suchen nach interpretation etc Criticism
ISBN978-1-3500-6925-1
Links
Download Cognitive ecopoetics [0,08 mb]
Nachweis
Verfügbarkeit In meiner Bibliothek
Archiv METS (OAI-PMH)
Zusammenfassung

Introduction: The Region of the Song -- Occasional Cries: Prelude to Lyric -- Dwelling with the Possible: Lyric Obscurity and Embedded Perception -- This Is Where the Meanings Are: Lyric Disjunction and Perceptual Shattering -- Acts of the Mind: Lyric Action and the Whole of Perception

"New insights from cognitive theory and literary ecocriticism have the power to transform our understanding of one of the most important literary genres: the lyric poem. In Cognitive Ecopoetics, Sharon Lattig brings these two schools of criticism together for the first time to consider the ways in which lyric forms re-enact cognitive processes of the mind and brain. Along the way the book reads anew the long history of the lyric, from Andrew Marvell, through canonical poets such as Samuel Taylor Coleridge, Ralph Waldo Emerson and Emily Dickinson to contemporary writers such as Susan Howe and Charles Olson"